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Search resuls for: "Holly Herndon"


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But they also said they were excited about what generative AI might bring. Installation artist Rubem Robierb was "shocked" when he first saw what generative AI could do, he told CNBC by phone. "In its infancy, [generative] AI can create more images in a second [than] the human brain can even process. As it exists right now, [generative] AI sources from known images, known artwork, and known artists to complete a task. Generative artUsing generative AI in an ethical manner is a key consideration for London gallery the Serpentine, which has developed AI projects with artists since 2014, according to its CEO Bettina Korek.
Persons: Refik, Hugo Glendinning, OpenAI's DALL, Rubem Robierb, Robierb, Dandara dos Santos, Rubem, Bettina Korek, Refik Anadol, Korek, Anadol, Julian Espagnon, Danilo S, Shane Guffogg, Carlucci, Holly Herndon, Mat Dryhurst, Jordan Meyer, Guffogg, I'm Organizations: CNBC, Celebrity Cruises for Edge, Smithsonian Institution, Economic, United Arab, & Systems, gallery's Arts Technologies Locations: London, New York City, Fortaleza, Brazil, New York, Miami, Europe, Serpentine, Davos, Switzerland, United Arab Emirates, Herndon, Venice, Italy, California
Despite this widespread apprehension, Holly Herndon — an experimental musician and artist — doesn't think AI is nefarious or will ruin art. Herndon's usage of AI shows a way forward for not just artists but also the rest of us. In her blog post announcing Holly+, Herndon said she envisioned a future where digitally created voices "soon become standard practice for artists and other creatives." While the project has yielded an ever-growing array of fascinating art, Holly+ also raises questions about the future of that art. (Anyone can use the Holly+ voice tool itself without submitting the output to the DAO, however.)
AI Image/Stable DiffusionHanson, who’s based in McMinnville, Oregon, is one of many professional artists whose work was included in the data set used to train Stable Diffusion, which was released in August by London-based Stability AI. Once available only to a select group of tech insiders, text-to-image AI systems are becoming increasingly popular and powerful. A piece by illustrator Daniel Danger that was included in the training data behind the Stable Diffusion AI image generator. But removing pictures of an artist’s work from a dataset wouldn’t stop Stable Diffusion from being able to generate images in that artist’s style. Hanson, for her part, has no problem with her art being used for training AI, but she wants to be paid.
"My name is being used a lot to generate AI images, along with the names of other working artists." "So if an AI is copying an artist's style and a company can just get an image generated that's similar to a popular artist's style without actually going to artists to pay them for that work, that could become an issue." Representatives from Open AI said both publicly available sources and images licensed by the company make up DALL-E's training data. Copyright laws around AI images are murkyIt's unclear whether copyright laws will protect the new artwork that AI programs generate. "I have friends in the industry who will storm out of the room if I even bring up using AI," he said.
In the world of art, misgivings about AI have been particularly acute. Despite this widespread apprehension, Holly Herndon — an experimental musician and artist — doesn't think AI is nefarious or will ruin art. In her blog post announcing Holly+, Herndon said she envisioned a future where digitally created voices "soon become standard practice for artists and other creatives." While the project has yielded an ever-growing array of fascinating art, Holly+ also raises questions about the future of that art. (Anyone can use the Holly+ voice tool itself without submitting the output to the DAO, however.)
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